If you start working out your own licks with the same rhythmic endings I promise you they will swing alot more! 5. Improve Your Swing Feel He end alot of his licks with that two eighth notes on beat 1 and the “&” of 1 figure. That’s an incredible rhythmic tool right there. Can you hear how Miles ends his lick with two eighth notes on beat 1 and the “&” of 1 (he plays two D’s there)? Listen to the phrase that starts at 1:34 and end on 1:36. (You can also check out this video lesson that teaches specifically how to play extensions on dominant chords.) 4. (For more licks that use upper extensions be sure to also check out these free lick videos Barry Harris Lick or this Turnaround Lick). This is truly a beautiful sound and can teach you how to get more of a contemporary sound in your lines. Using Upper Extensions Of the ChordsĪnother way to look at the area from 2:28-2:41 where he plays the notes C, E, and G is that Miles is soloing using the upper extensions of a the Dminor Chord. Even though he isn’t thinking vertically (as in chordally) he is actually still playing inside the D dorian mode. Soloing Using Triadsįrom 2:28- 2:41 Miles arpeggiates up and down C major triad. 4 bars or more) but also mix in short ideas as well (half measure ideas, one measure ideas, etc.).īy mixing up his phrase lengths it brings a lot of texture and interest to the solo. Miles had an incredible ability to mix not only longer streams of notes together (ideas that are approx. We will break the solo down and talk about how you can use this solo to really help your playing! It starts at 1:31.Īfter you listen make sure you scroll down. I’ve included some important tips on what you will learn from transcribing Miles’ solo.Ī Few Musical Gems In This Solo 1. So, lets take a close listen to Miles’ solo on the video below. This opened all the doors for me! Breaking Down Miles Davis I would go as far as to say that the “jazz” I was playing before I transcribed this solo was nowhere near the real thing. I remember transcribing this solo when I was a younger musician and having it COMPLETELY change my life. It’s fairly easy to play and really functions as a perfect place to start your jazz transcription journey. Not only is this one of the best jazz solos of all time it also has an incredible amount of jazz vocabulary in there for you to learn from. Well, If any of these sound like you then I have an easy solution for you: Start with one of the most famous, easiest, and greatest jazz solos of all time. Or perhaps you’ve already tried transcribing for a bit but found it to hard and gave up in frustration? Have you heard that you should be transcribing solos but just aren’t sure where a good place to start is?Īre you having problems finding a jazz solo that is not only easy to play but has tons of great jazz licks in there?
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